Here’s my latest collage:
It’s called The Blues Ain’t So Bad. I made it as a postcard thank you for a friend who has helped me out a lot in the last few months. It should have arrived in her mailbox by the time this post comes up.
I’ve written about the murals in Ajo, Arizona before, but even in two posts, I wasn’t able to cover them all. (Read my other posts about the murals of Ajo here: http://www.rubbertrampartist.com/2016/04/15/ajo-murals and here: http://www.rubbertrampartist.com/2016/04/24/ajo-copper-news-mural/.) In this post I’ll include photos and information about more murals in the small desert town.
The first mural here is one that didn’t make it in my post about the Art Alley. The day I walked through the Art Alley (the alley immediately to the south of the Plaza) taking photos of the murals, a truck parked right in front of this piece, and I wasn’t able to get a picture of it.
I believe the next three pieces were all painted by Ajo muralists Mike “DaWolf” Baker. (If I’m wrong about that, someone please correct me.)
I was told the homeowner commissioned Baker to paint this scene on his house. I was also told this scene is from a movie, but my informant (I’ve always wanted to say my informant) didn’t remember the name of the movie. The crosses symbolize the homeowner’s loved ones who have passed away. This house is at the corner of Solana (Highway 85) and and Cunada streets. The mural is very easy to see when driving south through Ajo, not far after the main drags curves to the left.
The next mural in on a store, the aVita Boutique in the Raven’s Nest, which is located at 801 North 2nd Avenue.

Did you notice that the spheres on the front of the building are painted in the colors of the rainbow? Yep, there’s good ol’ Roy G. Biv: red, orange, yellow, green, blue, indigo, violet.

This sign for the store is closer to the road. It might be what a driver sees first, as the store is set back.
North 2nd Avenue is another name for Highway 85, the main drag through town. Since the store is set back quite a ways from the street, you do have to be on the lookout for it when driving through town.
Something I really like about this mural is how the image on the left side wraps around the building. I think the wrapping makes the image quite dynamic. I also really like the bright, vibrant colors the artist used in this piece.
Of course, the Raven’s Nest needs a raven and the artist painted a nice one.
The last mural is a sneak peak of tomorrow’s post. This mural has enough of a story for its own post, so that’s what it will get.
Yep, that’s the mural depicting The Night of the Lepus, and it’s painted on Roadrunner Java (932 North 2nd Avenue).
I took all of the photos in this post.
I was hanging out with Sue Soaring Sun of Sun Gallery fame.
(Never heard of Sun Gallery in Truth or Consequences, NM? Check it out here: http://www.sierracountynewmexico.info/shopping/a-z/name/sun-gallery/ and here: https://www.facebook.com/sungallerytorc/timeline. The gallery’s Facebook page says,
Sun Gallery is a folk art and antiques gallery in Truth or Consequences, a fun and affordable spa town in beautiful southern New Mexico.
The gallery is located at 407 1/2 N. Broadway.)
We were talking about a restaurant we both know, a place where the decor is heavy on chickens. One of us piped up with So many chickens…Sue’s boyfriend grinned and added in and so little time. When we quit laughing, we agreed it would be a perfect theme for an art show. Sue decided it would be a fun May show for her gallery, so she sent out a call for submissions.
Here’s the call, as it appeared on the gallery’s Facebook page:
CALL FOR ARTISTS
So Many Chickens, So Little TimeAll artists of any age or ability are invited to each bring ONE piece of artwork to Sun Gallery for our May 2016 show, “So Many Chickens, So Little Time.”
You can price your work or just show it without offering it for sale. If it sells, the artist gets 100% of the sales price. Sun Gallery will not be taking a percentage for this show.
Have fun with the theme! There are no rules about the medium or size of the artwork.
Sun Gallery will be open for both Fiesta weekend and Art Hop weekend, so your work will be seen by many.
Drop off your work on TUESDAY May 3rd between 12 noon and 4 pm.
Pick up your sales proceeds or unsold work on SUNDAY May 15 between 11 am and 4 pm.
Thanks for your participation!
I responded to the call with a big ol’ chicken collage. First I bought a used canvas and a red and white checkered napkin at Goodwill. I ironed the napkin, then used a staple gun to attach it to the canvas. The napkin made a great background to fill in any gaps between chickens.
As soon as I knew the show was happening, I requested catalogs from several chicken supply companies. Unfortunately, only one catalog had arrived by the time I really needed to get working on the project. I needed to find another source for photogenic fowl.
I had credit at bookstore that buys used books, DVDs, magazines, video games, CDs, craft supplies, musical instruments, and knickknacks. I went to the store’s periodical section and found several copies of Grit, the magazine Celebrating Rural America Since 1882. Chicken photo jackpot!
One additional source for poultry pictures was a beat-up children’s book given to me by the Lady of the House. Called The Lifesize Animal Opposites Book, it afforded me with my rooster focal point.
I spent a few evenings cutting, arranging, and gluing photos of chickens while sitting in front of a television
playing late 20th-century game shows. I even made a special artist bio card to go with my collage.
I ended up pleased with the outcome of my work. There are a lot of chickens in my collage. There are SO many chickens!
I decided to call my piece Chicken Tractor because I think that’s a hilarious term.
My collage will be on display at Sun Gallery starting tomorrow until May 15. If you are in the neighborhood, you should stop by and see it live and in person. (As usual, my photos don’t do justice to the real thing.) The collage (13″ by 15″) is most definitely for sale. If you want to add it to your very special chicken collection or display in in your heretofore fowl free home, please contact me and we can negotiate.
I took the photos in this post.
I recently wrote about murals on the walls of an alley in Ajo, Arizona. In the comments of that post, one of my readers asked me,
Did you happen to see the mural on the bookstore?
Why yes. Yes I did. You can see a photo I took of the mural at the top if this page.
The building with the mural on its side does not only house a bookstore. It’s an art gallery as well, and the home of the Ajo Copper News,
…a weekly newspaper. It has been serving the communities of Ajo, Why, and Lukeville in Western Pima County since 1916.
Although I did browse in the bookstore (and bought fantastic, reasonably priced postcards with lovely color images of Ajo and Why), I didn’t really know anything about the mural. It was cool. I looked at it. I took a photo. I moved on.
While writing this post, I found more information about the mural on the website of Rocky Point Times newspaper (our of Puerto Peñasco, Mexico). The says,
When the current location of the newspaper and bookstore was purchased, it was the goal of Hop David, (the artist, also the publisher) to have a mural on the front of the building. That dream came to fruition, when in 2012, Hop completed the current mural with the help of another local artist, Mike “DaWolf” Baker as part of ASAP (Ajo Street Art Project).
My reader told me,
Someone saw me ogling and was kind enough to point me to the footprints on the sidewalk that give the oblique (and intended) view of the whole thing.
No kind person saw me ogling and pointed me to footprints! I had not idea. I never saw any footprints, so I guess I looked at the mural all wrong.
The aforementioned article in Rocky Point Times says the mural
is best viewed from the painted footprints on the corner of Pajaro [Street] and Highway 85 by the tiny park in order to get the complete effect of the trick-perspective mural.
I guess I am going to have to go back and take a better look.
During my first trip to Ajo, AZ, I saw a few murals on the south side of the Plaza when I drove by on Highway 85.
This is the one I saw the most often:
It faces the highway and is quite obvious. I saw it whenever I drove south past the Plaza.
This is the mural I saw as I drove north past the Plaza:

This is the mural to the left of the one with the coyote and the saguaro. The quote, attributed to Gandhi reads, “The best way to find yourself is to lose yourself in the service of others.”
During my second trip to Ajo, I decided to take photos of these two mural and the one to the immediate left of the one with the coyote and the saguaro, which I could just barely see when I drove by. As I stood at the entrance to the alley, I was quite surprised to see many murals painted on the walls on both sides.
As far as I remember, no one I met in Ajo or Why told me about this collection of murals. The lady in the thrift store didn’t mention it. I didn’t see any brochure about it at the visitor information center. Did Coyote Sue tell me about it and I forgot? I tend to enjoy looking at public art, so it seems to me if someone had mentioned these murals as an Ajo attraction, I would have gone to look at them right away.
When I did a Google search on “Ajo alley murals” (or something to that effect), I found an entry from April 6, 2015 on the Tucson Mural Arts Program blog. The date on this post shows the murals are fairly new.
At the top of the aforementioned blog post, there is information about the Tucson Mural Arts Program.
The (TMAP) seeks to create a city wide outdoor gallery of original artworks by matching artists with wall owners. TMAP is a results-based beautification program that involves residents of all ages in the design and painting of murals. We offer a viable solution to social isolation and property damage by working with our community to collaboratively create works of art.
The blog entry, titled “Ajo Street Art Mural Project,” says,
Muralists from Tucson joined with artists from throughout the border region helped to enliven an alley between two historic warehouse buildings in the heart of the Sonoran Desert, Ajo, AZ.
Artists spent a week painting murals throughout the day and night creating a festival like atmosphere in the once barren alley way.
The blog posts shows “before” photos of the alley, as well as photos of the artists at work.
The post continues,
…Arts Brigade artists had a ton of fun working with the local high school students and their teacher. Students created a series of individual and group murals. TAB [Tucson Arts Brigade] artists taught students the basic tools and techniques needed to make a mural.

The TMAP website identifies this piece as “Alice Glasser Mural.” Alice’s signature is on the lower left of the piece.

This is one of my favorite pieces in the alley. I appreciate the way the pipes and the breaker box seem to disappear into the art. I wish I could hear the music these men would create. Who is Don? Is he one of the men represented here? And who is the artist? (I don’t think I cut the artist’s signature out of my photo, but that is a possibility.)
I’m surprised the town of Ajo or the International Sonoran Desert Alliance or TMAP or somebody hasn’t produced a brochure giving information about each piece. This art is beautiful and important and deserves to be seen. Is there such a brochure and I missed it? How could I have missed such a thing?

This mural made me sad because it’s been sketched out but never completed. What happened to the artist(s) who started this piece? Will it ever be finished?

I like that not all of the murals show off lofty themes or extraordinary artistic talent. This mural is by and for the people.
In any case, I was glad I stumbled upon the murals. In a way, it was more magical to find them on my own. I found them because I was paying attention, not because I saw it on a list of things tourists should do or because some guidebook or website or brochure recommended it to me.
I documented the whole alley, and now you can have a look at the art and decide on your favorites. (Feel free to write a comment to tell me which piece is your favorite and what you like about it.) I took all of the photos in this post, but of course, my photos never truly do justice to the subjects. 

I tried to move the piece of metal visible on the bottom right of this photo so I could capture the full mural, but the metal was HEAVY. I enjoy the juxtaposition of the soothing blues and greens of the art next to the utility pole and the old door.

There is so much to love in this piece: the person composed of the yin-yang symbol, a heart, a peace sign, and the infinity symbol; the landscape with mountains, trees, and cacti; the reminders that “all life is sacred” and “end racism.”

The edge of this piece is visible on the left of the previous photo. I like the way this piece blends in to what’s around it.

I believe this piece represents the of three nations of the Sonoran Desert – the U.S., the Tohono O’odham Nation, and Mexico.

This piece is equating pre-unification Germany with the the Tohono O’odham Nation, which has been divided by the border between the U.S. and Mexico. From the Tohono O’odham Nation website: “From the early 18th Century through to the present, the O’odham land was occupied by foreign governments. With the independence of Republic of Mexico, O’odham fell under Mexican rule. Then, in 1853, through the Gadsden Purchase or Treaty of La Mesilla, O’odham land was divided almost in half, between the United States of America and Mexico… the new border between the United States and Mexico was not strictly enforced…In recent years, however, the border has come to affect the O’odham in many ways, because immigration laws prevent the O’odham from crossing it freely.

The TMAP blog identifies this piece as “Doors of Perception” and says it is “by Valeria and Isabella H. (TAB [Tucson Arts Brigade] youth artists).”

I find this mural so moving. It depicts the work of The Ajo Samaritans, a humanitarian aid group that works to prevent death in the desert by leaving food and water for travelers walking through the harsh terrain.
One morning in February I woke up and didn’t want to write. I didn’t want to make jewelry or hats. I certainly didn’t want to clean my van or the room I was staying in. All I wanted to do was sit in front of bad TV and make collages. So I did.
I’ve posted photos of these six new collages on my Facebook page, but for anyone who missed them there (or who wants to look at them all at once, all in one place), today I’m posting photos of the six new collages here.
Enjoy!

This collage is the first I made of the new batch. Last time I acquired “women’s” magazines, I cut out words and phrases and quotes I liked after I read the articles.

Can you see what this collage and the one with the quote by India Arie have in common? I only saw the commonality when I was putting together this post.
All of these collages are 4″ X 6″ or smaller. All are paper (cut from magazines) on mat board. All are for sale.
I took all the photos in this post.
It started with Judge Judy. For real.
The Lady of the House likes to watch Judge Judy on afternoon television. I’d always resisted such cheesiness, but last year during my extended visited, I let down my guard and succumbed. Afternoon television was a mindless, mild distraction, something to listen to while I was making hats or hemp jewelry.
We noticed at the end of each case, when the plaintiff and defendant were interviewed, more and more people were saying, It is what it is. Usually the loser said it. It is what it is, meaning, basically, Ain’t nothing I can do about it now.
Is this a thing on Judge Judy? we asked each other. But then it started creeping up on other afternoon reality-television shows too. Is this a thing now? we asked each other.
Then people in the real world started saying it to me. My rock guy in New Mexico (who watches TV, but otherwise is pretty clueless about the current cultural zeitgeist) said it to me while we were talking on the phone. It is what it is. My boss in California told me it was her favorite saying when we were talking about a work issue. It is what it is. Then I saw it in one of those liberal-grown-up-hippie-consumer-items catalogs I’d pulled out of the trash to cut up for collages. It is what it is on shirts. It is what it is on bracelets. It’s definitely a thing now.
So I cut out the words from the catalog–It is what it is–and glued them down with bits of bright color and sent the collage to the Lady of the House. It hangs over her desk.
It is what it is.
Walk around Truth or Consequences, New Mexico, and you’ll see not only galleries full of art, but art covering the walls of buildings and decorating the alleys.
I’ll get this party started by sharing my least favorite piece of public art in Truth or Consequences. This is a tile
mosaic on the front of the Bank of the Southwest at 509 N Broadway Street. It’s a nice enough (although somewhat bland to my eye) mosaic, except for the caption, “Our Heritage.” Sure, it’s supposed to be inclusive, with the Spanish Catholic guy on the left, the Native American fellow in the middle, and the white cowboy/rancher man on the right, but what about women? Did only men play a role in the heritage of Truth or Consequences/Southern New Mexico/the Southwest? I think not. I roll my eyes every time I see this piece of work that renders invisible the women who played a role in the town’s history.
(After doing some basic Google searching, I was not able to find the name of the artist who did this mosaic, nor when it was completed. If you know the name of the artist and the history of this mosaic, please leave a comment with the info.)
A piece I like more is this one, located in the alley behind the storefront on Broadway that once housed the CHF thrift store.

Notice the mural around the windows of the white house in the background. Mural and mixed-media piece by Mary Kinninger Walker.
It’s a mixed media, found object, three-dimensional collage. For a long time, I didn’t know who’d done this piece, but two readers wrote in and told me the work is by Mary Kinninger Walker.
There are so many murals in T or C, I didn’t have a chance to get photos of them all, even though I was in town for about three weeks during my last visit. (In my defense, it was cold out, and I didn’t walk around a lot.)
Another mural I like is this one of a
black bird (crow? raven? I can never tell the difference) on a building on Main Street, near the Passion Pie Cafe. I like those puffy little clouds against the light blue sky too. According to the Spring 2015 Sierra County Artist Directory (volume 13), the bird and the sky were painted by Bonita Barlow in 1999.
I also like this painting of the Virgin Mary. (Love those spirals on her cheeks!) She’s painted on a building that’s behind a hurricane fence, so was difficult for me to get a good shot of her, but she is surrounded by color and intricate patterns. The Virgin was also painted by Mary Kinninger Walker.
Perhaps this manifestation of the Virgin was painted by one of the artists mentioned on the Sierra County, New Mexico website (http://www.sierracountynewmexico.info/attractions/art-in-truth-or-consequences-hillsboro-and-more/).
Truth or Consequences is also home to a growing number of outdoor murals; you’ll find them painted on bath houses, shops, homes, and even vacant buildings located in increasingly colorful alleyways.
I wish that website had shown some of those murals and shared the name of the artists.
I took the next three photos during my first visit to Truth or Consequences in March of 2014. This mural is painted on the back of a building and can be seen from the alley. I was attracted by the bright colors, the turtles, and the skeleton with wings. I found a photo of the skeleton in the above-mentioned Sierra County Artist Directory, and the piece was attributed to Mary Kinninger Walker and Donna Monroe.

The next three pieces were also painted by Mary Kinninger Walker. All of these are located on the back of buildings and can be seen from alleys.

When Pigs Fly is a shop in T or C. I think this mural must be on what was the back exit to the store when it was located on Broadway.
The photo to the left is a detail of a jungle-scene mural that covers the entire back wall of a building. (If I remember correctly, the front of this building is on Broadway.) I love the way the building’s actual window becomes the window of the jungle hut. I love the alert black cat on the roof of the hut. I love the way the swing fits right into the scene. Anyone know who painted this one?

Information about this mural from http://www.ohwy.com/nm/w/wattanmu.htm
Just about anywhere downtown, one can see this big water tank on the hill and the mural by Anthony Penrock that wraps around it. According to the Online Highways website,
Artist Tony Pennock of Las Cruses, New Mexico painted three water tank murals in Truth or Consequences in the early 1990s. [This] One shows Apache horsemen traveling to rest at the hot springs.
These tags are on a (retaining?) wall on Main Street, near the old post office and the Geronimo Springs Museum. I think graffiti is as legitimate as any other art form.
Sometimes art is functional, like this blue door on Main Street. I really like the intricate design highlighted in that soft yellow.
I hope to go back to T or C someday and take more photos of public art to share here.
I took all of the photos in this post.
Truth or Consequences is not just a hot springs and bathhouse town; it’s also an art town. In addition to the art in the town’s multiple art galleries, there’s lots of art to see outside too.
According to http://www.sierracountynewmexico.info/attractions/art-in-truth-or-consequences-hillsboro-and-more/, those colorful flower murals adorning the exterior of the Ralph Edwards Civic Center at 400 West Fourth Street are the work of Delmas Howe.
According to https://en.wikipedia.org/wiki/Delmas_Howe,
Howe (born October 22, 1935) is an American Painter and muralist whose figurative work depicts mythological and archetypal – sometimes homoerotic – themes in a neoclassical, realist style.
Another public building with murals is the Lee Belle Johnson Senior Center, at 301 South Foch Street.
According to http://www.torccenterforthearts.org/homeblog/archives/08-2013, these murals were painted by a group called “the Young da Vincis.” This group of young artists (made up of Reed Tische, Megan Burke, Bethany Walker, Jannelle Knaus, Josh Candelaria, Kyle Cunningham, Jeannie Ortiz and Hannah Goldman) was organized and named by Jia Apple.
According to the above website, four months and at least 2,160 work hours went into these murals. Nine people worked on them about 12 hours a week for 20 weeks. The theme of the murals is local flora/fauna/habitat. The integrity of the historic adobe building–a WPA (Works Progress Administration/Work Projects Administration) project–had to be preserved.
The boarded-up windows of differing shapes were used as insets for the murals.
Again according to http://www.torccenterforthearts.org/homeblog/archives/08-2013
Repeated design elements gave consistency and rhythm. The habitat was strongly delineated in curvy shapes and diagonals that pull you into the picture. Land, water, mountains and sky were depicted in a consistent palette of alternating oranges and blues.
The animal life was consistently depicted two ways—as strong black silhouettes, or set apart in a tondo/circle form, painted in “grisaille” or in shades of black and white with some tans.
Not all of the outdoor art pieces in T or C are murals. One of my favorite pieces of art in town is the sculpture of a steer called Joy, by R. William Winkler.
This sculpture stands in the parking lot at the corner of Main and Pershing streets. According to New Mexico Curiosities: Quirky Characters, Roadside Oddities & Other Offbeat Stuff,
the statue is made from cedar planks, car parts, and other discarded items. The creature takes its name from the word ‘joy’ cast into the grill of an old wood-burning stove that the artist…scavenged from a cattle ranch along Percha Creek and integrated into his creation.
I took all photos in this post. I’ll share more examples of outdoor art in T or C tomorrow.
In a previous post about the bathhouses in Truth or Consequences, NM (http://www.rubbertrampartist.com/2016/02/06/truth-or-consequences-hot-springs-my-experiences/), I mentioned enjoying the paintings on the wall of the private room I soaked in at La Paloma. However, I couldn’t get the formatting right to include any of my photos of the murals in the post. I decided to share those photos today because #1 the paintings are nice and #2 I am tired and possibly incapable of writing anything long and thought-provoking.
When I asked my friend Sue Soaring Sun about these paintings, she told me they were done by Tracy Turner Sheppard. Here’s what Sue said about the paintings on her blog The RV Artsy Life of Sue Soaring Sun (http://ebayrv.blogspot.com/2012/06/cool-times-in-hot-town.html):
La Paloma was beautiful last year when I worked there and became even more beautiful while I was gone for the winter. There are more gardens, some bird feeders, and lucky bamboo plants in every room. All of the bath house rooms have been replastered and repainted, and a well-known New Mexico artist, Tracy Turner Sheppard, is painting mimbres and mandalas on the walls of each tub room. Tracy is in town working on this project this week, and I’m delighting in getting to know her.
The next photo shows how the artist took an air vent and turned it into something cute and colorful.
I think if something functional (and kind of ugly) has to be in a room, living with it is much easier if it can be colorful and cheerful.
I really like how the colors the artist used are somehow both vibrant and subdued. They make me feel energized but not hyper or frantic. (I think “vibrantly subdued” is an oxymoron, but that’s the best way I can think of to describe these colors. Please leave a comment if you can think of better words to use to describe them.)
My favorite thing on the wall was this fat turtle and the decorative squiggles all around it.
This is what the artist says about herself on her website (http://www.tracyturnerart.com/bio.htm):
As a native of the west, I grew up surrounded by landscapes of astonishing diversity, light and beauty.Coming into the world this way, I developed a great passion for wild places and a love for the infinite ways color and light manifest with form on this earth.
My work is a reflection of that love and seeks to express a magical reality with color as the universal language. I play with its endless variety and vibrancy, translating my own sense of joy and mystery of the physical world onto canvas.
To see more of Tracy Turner Sheppard’s work, go to http://www.tracyturnerart.com/gallery.htm.
I took all of the photos in this post.