Tag Archives: Mesa Contemporary Arts Museum

spark! Mesa’s Festival of Creativity

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Nolagirl and I were going to hang out.

I have to bring my kid to Mesa, she said. She’d been thinking about checking out the free spark! event at the Mesa Arts Center. I told her that was fine with me. Nolagirl always finds the quirkiest, funkiest, grooviest, all-around-most-fun activities in the greater metro area, and I’m pretty open to trying new things. If Nolagirl likes a cultural event, I’m probably going to like it too.

I looked up spark! on the internet. The event’s website says,

This year’s Festival of Creativity will feature an exhibition of 16 art cars, multiple hot rods and lowriders, and interactive arts experiences for people of all ages. spark! celebrates the imaginative spark in all of us, by showcasing Arizona artists and performers and inviting visitors to explore and enjoy live music, aerial dance performances, hands-on experiences, live art-making, installations, demonstrations, a variety of foods, a beer, wine and cocktail area and more.

We arrived at the event around noon. The crowd consisted of a lot of families with kids, but there were plenty of adults without children out there too. I was glad to see the event wasn’t packed; we could still move around just fine and experience everything that was happening.

We entered the festival from Main Street. We could hear the music of the 1950s being performed by Come Back Buddy as we approached. The music was good, and I’m sure I was tapping my foot and swaying my hips, but it was The Night Garden by Jenneva Kayser of Tempe, AZ that really got our attention. We were fascinated by the cacti created from what the aforementioned website calls “woven recycled fabric and translucent porcelain clay.”

As we moved through the Shadow Walk between the Mesa Contemporary Arts Museum building and the Ikeda Theater, we encountered another stage where Rising Youth Theatre thespians were performing Light Rail Plays. According the theatre’s website,

Teams of youth and adult artists work together to explore the public transit experience with original plays from a youth perspective…Performers…travel between platforms to maximize the number of people who can experience performances!

We didn’t stop to watch the performance, although we did pause briefly to see the vast array of “food” that festival participants had molded and shaped. The sparks! website calls this participatory activity led by Elliott Kayser a “Community Still-Life in Clay.”

A dining room table set in the style of a classical still-life painting, complete with ceramic serviceware, [was] created prior to the event. During the festival, colorful clay [was] given out to festival-participants with a prompt: to make food that they associate with family tradition. Performers dressed as waiters…compose[d] and arrange[d] the finished “food” within the still-life.

It’s like a coloring page on a car!

A little farther down was a chalkboard car folks could decorate with colored chalk. This interactive experience was the brainchild of artist Kyllan Maney. The sparks! website says this 1981 BMW 528 was

pre-installed with chalkboard paint on the exterior and black lights in the interior. Festival goers [were] invited to color the car in a pre-planned design with chalkboard markers. Vinyl chalkboard shaped birds [were] temporarily adhered to the ground making pathways to the interactive art car, to mimic shadows [of] the birds flying overhead.

When we walked up, volunteers were cleaning off the chalk so newcomers could experience the fun of coloring on a car. We didn’t linger to do any decorating of our own.

The next cool thing we saw was the construction of an art car under the leadership of Harrod Blank, and (apparently very busy) artist Kyllan Maney. The spark! website explains the finished result will be an art car called “Desert Marlin” which was

I love the glass saguaros on this art car.

inspired by the flora and fauna of the Sonoran Desert. The exterior will be covered with cactus and succulents ranging in size and texture, created out of metal, glass and painted directly on the car. The interior, inspired by the “heart” of the Mesa Arts Center community, will be created by visitors to the festival. They will be invited to create and add a piece to the car during the event.

It was probably when Nolgirl said art car while telling me about the event that I was totally in. It had been a long time since I’d been to an art car event, but I think it’s really cool to take something as ordinary as a motor vehicle and turn it into something original and unique. Nolagirl and I spent probably the next hour looking at each of the sixteen art cars and two art cycles on display in the Arts Center parking lot.  (I’ll be sharing photos and info on my favorite art cars in upcoming blog posts.)

I had so much fun sitting in this chair!

After looking at the art cars, Nolagirl and I went off in search of a restroom. Before we found the restrooms, we found magnificent wobbly chairs. Based on Weeble Wobble technology, the chairs swayed, tipped, and rolled, but never dumped the occupant on the ground. Nolagirl and I both tired out a chair, but I think I enjoyed my experience more. Once I realized I was safe in the chair, I relaxed, leaned back, and had a good ol’ time. I would have played in the chair for the next half hour if little kids hadn’t been waiting their turn.

(I made up the part about Weeble Wobble technology. I mean, yes, there is a certain technology that allows Weebles to wobble but not fall down, but I don’t know if the chairs worked on the same principle.)

We were directed to a restroom in the Mesa Contemporary Arts Museum. I was surprised to see a proclamation of “free admission” on the door. Admission wasn’t just free on that day, but all the time! Wow! I will remember to take advantage of this free admission if I’m ever in Mesa again.

After our visit to the (very clean) restroom, we decided to spend some time with the museum’s exhibits. I was glad the museum was a manageable size. I go into art overload rather easily, so I was happy to see three rooms of current pieces and be done.

When we left the museum, Nolagirl was hungry, so she ordered some food from the Short Leash Hot Dogs truck. I found an umbrella-shaded table, and ate a LÄRABAR® while I waited. After our lunch, we thought we’d seen it all and started heading back to the car. When we got to Main Street, I asked, Is there more to see over there? so we walked over to check. Yes, there was more to see!

There were more cars over there. They weren’t art cars, but they did have bright and shiny paint jobs and they weren’t like the average cars on the street. These were hot rods and low riders representing different car clubs. I couldn’t find any information about these cards on the sparks! website. Although I’m not a huge car buff, I did enjoy the bright, shiny colors of the automobile exteriors.

We were heading to the corner when we saw a crowd gathered against the rail above the museum’s courtyard. What’s going on over there? we wondered, then saw the women sitting on the museum’s roof. Oh! It looked like we’d be able to catch the last performance of the Dark Sky Aerial  theatre company.

Photo courtesy of Nolagirl.

It was a mesmorizing performance both above and below us. (I’m confident the dancers performing on the ground were part of CaZo Dance Company, but I couldn’t find any information online to confirm this assertion.)

While six performers in white dance and tumbled in the coutyard below, five women in black used the outside walls of the museum as their vertical stage. They flew through the air, harnessed to ropes that both tethered them to the stability of the building and allowed them to soar through the air. In about a dozen minutes, the show was over. Lots of people  were still having fun at the spark! event but for me and Nolagirl, the performance of Dark Sky Aerial and CaZo Dance was a magnificent end to a fun time at the festival.

Photo of me enjoying myself in the titly chair courtesy of Nolagirl.

 

I took the photos in this post, unless otherwise noted.

 

Mural on the Mesa Contemporary Arts Museum

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In the spring of 2016, I lived briefly in Mesa, Arizona while working nearby. One afternoon after my money job was over for the day, I went downtown to explore the public art. I saw art depicting a Big Pink Chair, a girl reading a book, and a toddler feeding ducks. I really appreciate public art and the way it levels the playing field by allowing everyone from all socio-economic levels to experience and enjoy what others have created.

As I passed the Mesa Arts Center, I saw a huge mural on the wall of the Center’s Mesa Contemporary Arts Museum. I didn’t realize at the time that the mural was brand spanking new.

When I did some research on the mural, I got a lot of information about it from a Phoenix New Times article by Lynn Trimble called “El Mac on His New Two-Story Mural at Mesa Arts Center, Inspiration, and Collaboration.”

  • The mural was painted by El Mac, “one of the world’s most noted street artists” who has ties to the Phoenix area but now lives in LA.
  • The woman depicted in the mural is an old friend of the artist.
  • “The mural was done completely with aerosol enamel paint, and a specific type of cap that helps give his work its characteristic pattern of circles and lines” and was completed in March of 2016.

I love the gentle beauty of this mural and the way the color of the rose pops against the dark contours of the woman’s features. I love seeing a woman of color (the model is originally from Guatamala) looming larger-than-life over museum patrons. It’s a lovely piece, and I think it adds some street cred to a part of town which could easily be mistaken to be primarily for white folks.

I took the photos in this post.

 

Play Me, I’m Yours (Part 2)

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The second Play Me, I’m Yours piano I encountered during my evening stroll along Main Street in Mesa, AZ was in front of the Mesa Contemporary Arts Museum. This one was looked like a cloudy blue sky, and the sides shimmered in the late afternoon sun.

If you missed previous posts, http://www.streetpianos.com/ says,

Touring internationally since 2008, Play Me, I’m Yours is an artwork by British artist Luke Jerram. Reaching over 10 million people worldwide – more than 1,500 street pianos have already been installed in over 50 cities across the globe…

Sparkling side view of piano #11

Sparkling side view of piano #11

According to his website,

Luke Jerram’s multidisciplinary practice involves the creation of sculptures, installations and live arts projects. Living in the UK but working internationally for 19 years, Jerram has created a number of extraordinary art projects which have excited and inspired people around the globe.

Jerram has a set of different narratives that make up his practice which are developing in parallel with one another. He is known worldwide for his large scale public artworks.

The Street Pianos webpage dedicated to this piano (#11) says it was decorated by artists Kyllan Maney and Erin Peters and the Creative Catalyst team. It was donated by Mesa Arts Center and sponsored by Advanced Eyecare of Arizona.

Back view of piano #11

Back view of piano #11

What I didn’t know until I looked at the aforementioned webpage dedicated to this particular piano is that it was lit up at night. How cool is that! (Very cool, I think. I wish I had seen it all lit up.) The area behind the panel that reads “Play Me, I’m Yours” apparently glowed electric lavender, and a bright blue light shone from underneath.

The white and blue color scheme reminded me of clouds in a blue sky. I enjoyed the juxtaposition of the serene sky imagery and the gliding birds next to the shimmery shake of the sparkles on the sides. (Are the shimmers meant to represent the stars in the night sky?)

Again, I wished I could play this piano, but I made myself content with simply striking a few keys and and enjoying the art.

I took all of the photos in this post.
Bird detail from piano #11

Bird detail from piano #11