Tag Archives: vendors at the Bridge

Kokopelli

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Virginia was Native American. Her mother was from the local pueblo, and her father was from a pueblo to the west. Virginia was in her 50s but dressed like a teenager. She was fond of shoes with high heels and a t-shirt emblazoned with the face of Marilyn Monroe. She painted her full lips bright red and wore big hoops in her ears.

I met Virginia at the Bridge, where she was friendly and outgoing toward the tourists and other vendors. Hi guy! she’d say with a big smile to male strangers as they passed her table. Where are you from? she’d chitchat with tourists who stopped to see her wares.

Virginia sold a variety of items she said she made herself, as well as crafts she said were made by members of her family. She sold jewelry—necklaces and bracelets and sometimes earrings too—made from turquoise and copper, variscite, and hematite, and other semiprecious stones. She sold knives with handles inlaid with stone or carved from bone. Sometimes she sold soft dolls sewn to look like Diné women, and she usually had horsehair pottery on her table.

Horsehair pottery was a popular item at the Bridge. It was sold by Native American vendors as well as by white folks and members of the local old Spanish families. The selling of horsehair pottery crossed all boundaries of Northern New Mexico race, ethnicity, and language.

Tourists loved the pottery, which is why so many vendors wanted it on their tables. Anyone selling horsehair pottery had a shot at making a sale even on a slow day. Lots of tourists want to be able to show off to the folks back home the Native crafts they acquired on vacation.

The majority of any piece of horsehair poetry was off-white in color. Designs in black decorated the off-white background. During my time at the Bridge, I saw pots decorated with Native American-style bears (for strength and power, Virginia always said), hummingbirds, Kokopelli, turtles, and buffalo. When the pots were in the kiln and the temperature inside was incredibly hot, the artist would open the door to the oven and throw in horsehair. The horsehair would land on the pots, leaving black lines on the plain portions as well as on the designs. The random falling of the horsehair and the subsequent unplanned patterns of the black lines left behind made each pot unique. Of course, while buying a handmade craft is important to many visitors to any region, acquiring something unique is usually even better. No wonder horsehair pottery seemed to fly off vendors’ tables and into the hands of shoppers.

I don’t know where Virginia acquired her horsehair pots. I don’t think she was making them. But from what old-timers at the Bridge told me, when she and her ex were still together, they were a horsehair pottery production team. They’d produce the pots, paint the designs, then throw on the horsehair while the pots fired in the oven. Virginia was capable of making the pots I saw on her table even if someone else was actually doing the work. 

One morning at the Bridge Virginia parked next to where I was already set up and started pulling out her tables. Spending a day next to Virginia was fine with me. She was pleasant to be around and was always good for the latest Bridge vendor gossip.

In the early afternoon a (seemingly) white, (seemingly) heterosexual couple approached Virginia’s table. There were no customers at my table, so there was nothing to distract me from listening to the conversation next door.

The visitors looked at all of the merchandise Virginia had for sale, but lingered over the horsehair pottery. Virginia told them all about the pottery. She explained how the horsehair was tossed into the hot kiln and fell randomly onto the pots. The tourists seemed impressed. They looked at all the designs Virginia was offering that day and settled on one with an image of Kokopelli painted on it.

For those of you who don’t know, according to IndigenousPeople.net, Kokopelli is…

a Hopi word
meaning (roughly) wooden-backed; most of the familiar depictions of Kokopelli are copied from Hopi art, which in turn is derived from ancient Anasazi glyphs.

Known as a fertility god, prankster, healer and story teller, Kokopelli has been a source of wonder throughout the country for centuries. Kokopelli embodies the true American Southwest, and dates back over 3,000 years ago… Although his true origins are unknown, this traveling, flute-playing Casanova is a sacred figure to many Southwestern Native Americans.

I took this photo of Kokopelli adorning a local business. I don’t think the local business was a fertility clinic.

The couple told Virginia they would take the pot with the painting of Kokopelli on it. Money was handed over. Virginia pulled out the bubble wrap and tape so she could protect the pot for its journey to its new home.

When the wrapping was nearly complete Virginia mentioned that some people consider Kokopelli a fertility symbol. I’m sure she intended this information to be just one more little tidbit to make the pot more interesting to the couple. Virginia had no way of knowing she’d just shot herself in the foot.

What? the tourist woman asked sharply.

Virginia repeated that some people see Kokopelli as a fertility symbol.

I can’t give this to my 16 year old daughter! the woman huffed. She decided she didn’t want the pot after all. Sadly, there was nothing else on Virginia’s table she wanted instead.

No problem, Virginia told the woman, but I could tell she was disappointed by the loss of the sale. She handed the woman’s money back and said flatly, I hope you find something you like better.

Why the couple didn’t pick out a different pot, I don’t know. Maybe they feared turtles and bears and hummingbirds and buffalo were also secret fertility symbols. In any case, the transaction with Virginia was over.

I sat behind my table and tried not to laugh in disbelief. Did the woman really think having a pot with an image of Kokopelli on it was going to increase her daughter’s chances of getting pregnant? Did she think Kokopelli was going to magically hop off the pot in the night and knock up her daughter? Did she refuse to allow her daughter to participate in Maypole dances and Easter egg hunts?

I just shook my head and felt sorry for Virginia’s loss.

Another Good Man Gone

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William died some time ago, but I haven’t been ready to share my thoughts and feelings about him and his passing with the world.

I knew William from the Bridge. He was a good man. He was one of the area’s native people, one of those Indians, he always called himself with pride. He sold at the Bridge, alone when I first new him, then later with his mother.

When I was homeless and sleeping in a picnic pavilion at a rest area, William was one of the few men I wasn’t afraid of. He and another nice guy named Tommy set up next to each other every day and could always scoot over just a little to make room for me. William always treated me politely, respectfully, as a friend.

William struggled with alcoholism during the more than five years I knew him. His mother thought he was doing ok if he only drank beer. She pretended his drinking 18 cans of Bud Light nearly every day was no cause for concern. If he was only drinking beer with a low alcohol content, she could believe the amount he drank wasn’t an issue.

Some days I got really annoyed with William. When he was drunk, he’d lie to the tourists at the Bridge. If visitors saw him with beer can in hand or at lip, he’d tell them it was his birthday, which he thought would make it ok to be drinking alcohol in public, at work. If the birthday fib let to a sale, all the better. He told potential buyers that he collected all the rocks on his tables and polished them too, even though I knew all his rocks came from other vendors. He even bragged about collecting rocks from other people’s mining claims; I was almost positive he’d never done any such things and was only repeating stories he’d heard from unscrupulous rock guys. I suppose he thought claim jumping sounded exciting and was a good story for the tourists. In the end, I realized it wasn’t my place to get upset by William’s lies; he was only doing what he thought he had to do to earn the money he needed to live.

William had been elected vice-president of the Bridge vendors association and was so proud of his position, even though in reality it meant very little to anyone else. I’m the president of all of this, he’d tell tourists while gesturing broadly. Sometimes he’d boast I’m the president of this whole bridge.

He was also proud of the times he’d stopped people from jumping off the Bridge. I never witnessed him doing such a thing, but William had stories about stopping people from jumping by hugging them or tackling them or ushering them back to solid ground. Even if none of these events actually occurred, in his heart, William wanted to save everyone who was sad, distraught, suicidal. In his heart, William surely wanted to be a hero.

William had a daughter. He’d become a father when he was just 18. The girl grew up in California with her mother who William said had a drug problem. The daughter was barely an adult when William died, but at least she had a dad throughout her childhood. I think of that girl and my heart aches for her. How difficult it must have been for her to grow up with a father suffering from alcoholism and a mother suffering from drug addition. I wonder if she’s following in her family traditions or if she thinks it best to remain a teetotaler.

When I was around, friends would occasionally try to talk to William about his drinking. Of course, he didn’t want to discuss the problem. I’m just me! William would proclaim, or he’d say loudly I do what I do! He didn’t think he could be anyone other than who he already was. He didn’t think he could do anything other than what he already did.

Sometimes when I saw and heard William interacting with tourists, I wondered uncharitably how he could stand to be a stereotype. I guess like many of us, he just wasn’t ready to be someone else or do anything different.

I’m not sure exactly how William died. I was in California when it happened, working on top of a mountain. I learned about William’s death from Facebook, that twenty-first century town crier. William had been sent to live with his aunt in the city. In the past, this aunt had been able to impose discipline (and sobriety, I suppose) on William when his mother could not. I don’t know if his aunt cut off his supply of beer entirely and the cold turkey sobering up killed him, or if it was just too late for him to benefit from ceasing to drink alcohol because his liver was already shot. In any case, the family is proud to say William was sober when he died.

William was a father and a son and a nephew and a brother and a friend. Like the rest of us, he had his faults and his stumbling blocks, but he was a good man. He loved the Denver Broncos and his daughter and selling at the Bridge. In his way, he really was the president of the whole place. He cared about the other vendors and the tourists who visited there too. He only wanted to love everyone. He only wanted everyone to get along.

By way of farewell, he’d tell vendors and tourists alike, Love, peace, and hair grease. When I remember William, I picture him standing in front of me, sunglasses on, swaying slightly, and I can hear him say, Love, peace, and hair grease.

William was a good man, and he is missed.

Love, peace, and hair grease, William. I hope you are healthy and whole and free now, soaring above us all, an eagle in the sky.

Bald Eagle Flying Under Blue Sky during Daytime

Photo courtesy of https://www.pexels.com/photo/bald-eagle-flying-under-blue-sky-during-daytime-60086/.