Category Archives: Art

J Gurl

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Nolagirl and I were at spark! Mesa’s Festival of Creativity in the spring of 2018. We were looking at the art cars and came across one that turned out to be one of my favorites of the whole day, J Gurl by Diane Bombshelter from Tucson, AZ.

According to her website, Diane Bombshelter is primarily a painter who creates on black velvet. Apparently she’s really good at painting on cars too.

This is the big picture of what her art car looks like.

An art car is brightly painted with images of bugs and flowers. The Blessed Virgin Mary is painted on the hood.
Can you see the Blessed Virgin Mary on the hood of this art car?

When I got up close and starting looking at the details, I liked the car more and more.

Here’s the sacred heart painted on the back passenger door. I like the way pieces of broken mirror were used to accentuate the painting and add sparkle to the area. Also, the rough edges of the glass could cut the viewer, which I think brings to mind the pain caused by those thorns wrapped around the heart.

Sacred heart painted on the side of art car JGIRL.

Much of the imagery on the car is specifically female and really celebrates feminine power and energy. For example, here’s a uterus complete with egg tubes, ovaries, developing eggs, cervix, and endometrial lining painted on the rear passenger side of the car. Again, mirrors (this time round ones to echo the roundness of the eggs) catch the light and add sparkle and shimmer. Of course the pink background evokes stereotypical femininity but perhaps also a reclaiming of female strength.

Painting of uterus on the art car JGIRL. Ovaries, egg tubes, and endometrial lining also featured.

Here’s a vulva, right over the gas tank! Do you think that placement was random or a conscious choice?

Painting of a red and pink vulva on the art car JGURL.

The details that went into this representation of the vulva make me really happy. The yellow represents flames, perhaps, or bolts of energy. The red jewels outlining the border are also very sweet–more sparkle, more pizzazz. You may not be able to tell from my photo, but the clitoris is entirely composed of shiny little jewels. This vulva is a celebration of womanly parts. This vulva shines!

Art car JGURL has painting of Kwan Yin on the side. Sunlight is lighting her face and head. Glass beads radiate out from her head.

Ah, there’s Quan Yin, one of my favorite manifestations of Goddess energy. According to a Crystallinks webpage,

Quan Yin is one of the most universally beloved of deities in the Buddhist tradition. Also known as Kuan Yin, Quan’Am (Vietnam), Kannon (Japan), and Kanin (Bali), She is the embodiment of compassionate loving kindness. As the Bodhisattva of Compassion, She hears the cries of all beings…

Contemplating the Goddess of Mercy involves little dogma or ritual. The simplicity of this gentle being and Her standards tends to lead Her devotees towards becoming more compassionate and loving themselves…

Don’t you like the way I took the photo so the sunlight makes the area at the top of Goddess’ head glow? I’m pleased with that aspect of the photo, although I can’t remember if it was a conscious composition or a happy accident.

Art car JGURL has a mosaic of the Blessed Virgin Mary on the hood.
This photo courtesy of Nolagirl.

If the Blessed Virgin Mary is more your style when it comes to Goddess representation, Bombshelter has that covered for you on the hood of the car. The image of the BVM is made from flat glass marbles and is surrounded by small BVM statues. The blue flowers are artificial and permanently adhered to the hood as far as I could tell.

It’s obvious that so many loving details went into the design of this car. Even the dashboard is carefully decorated.

Dashboard of art car JGURL. Toys decorate the dashboard and the word "Goddess" is spelled out in Scrabble letters.

My favorite part of this interior decoration is the word “Goddess” spelled out in Scrabble letters. Clever!

In a 2015 article about the Art Car World museum in Douglas, AZ, Diane Bombshelter discussed pushing the boundaries of what cars are supposed to look like and represent in our society.

“Breaking that taboo opens people’s minds. It doesn’t have to be a certain way; it can be this way, too,” she said

“… I wanted to bring art to the public, instead of the public having to go to an art gallery.”

Arizona license plate on an art car. The plate number reads J-G-U-R-L.

I greatly enjoyed seeing and appreciate this art car. Hopefully I’ll see it again someday and take photos of the art on the driver side.

See Diane Bomshelter’s paintings on black velvet on her website.

If you enjoyed this post, you may also want to read about another art car called California Fantasy Van  that was also at the spark! Festival.

I took the photos in this post, except for the one attributed to Nolagirl.


California Fantasy Van

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Folks who’ve been reading this blog since the spring may remember a post I wrote in May about spark! Mesa’s Festival of Creativity. Nolagirl and I attended this March 2018 festival in Mesa, AZ meant to celebrate “the imaginative spark in all of us.”

There were so many cool exhibits at the festival, including “The Night Garden,” “Community Still-Life in Clay,” and my absolute favorite, art cars!

According to the article “Artistic Autos: Art Cars,”

An art car usually begins with an old or used vehicle that is need of repair. Instead of focusing on transforming the inside of the vehicle, the owner radically changes the exterior of the car. Art cars are made by ordinary people and are often driven and owned by their creator…

One of my favorite art cars I saw at the spark! festival was really a van. California Fantasy Van  was created by Ernie Steingold of Burbank, CA and was on loan from the Art Car World Collection in Douglas, AZ.

According to a short article from wesclark.com, this 1975 GMC panel van was embellished by “late Burbank resident, Ernie Steingold,” a vacuum cleaner repairman.

Over the course of ten years, he spent much of his free time locating and attaching more than 5,000

Detail from California Fantasy Van–laughing Buddha

brass items to the van after completely covering it with thousands of coins.

An ABC News slideshow about the World’s Craziest Cars says Steingold welded the brass colored items onto the van. He

drove the vehicle slowly and eventually ruined its tires and brakes because of the car’s weight.

I thought this decorated vehicle was really cool! First of all, it was a van, and we all know I have a soft spot for vans. Secondly, I loved all the little doodads attached to the van. I spent a long time looking at all the items catching the spring sun.

Third, I love imagining Ernie Steingold obsessing over his creation. In a time before the widespread use of eBay and the internet, Ernie must have spent a lot of his time and energy looking for objects to add to his van creation. I bet he scoured flea markets and swap meets and antique stores and junk yards to find pieces to add to his rolling exhibit.

Detail from California Fantasy Van–Bad Dude

I wonder what Steingold’s wife and three children thought of his artistic endeavor. Did they support him in his quest? Did they enjoy the hunt for just the right additions too, or did they think Steingold was a bit daft? Did they ridicule his work, simply endure it, or actively support and encourage it?

Inspired by Ernie Steingold, I sometimes fantasize about turning my van into an art car, especially when I find cool objects that are too big or heavy for my collage work. Maybe I could decorate my van with items related to Arizona, the Sonoran Desert, and the U.S. Southwest. Maybe I could have a Route 66 van! Then I remember that once I have anything attached to the exterior of my van, any semblance of stealth I may have is gone.

Good-bye California Fantasy Van!

 

Rubber Tramp Art Community

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Sarah Meg shows off the Rubber Tramp Artist Community flag that she made.

If you’re headed to the Rubber Tramp Rendezvous (RTR) or the Women’s RTR, you might have heard about the Rubber Tramp Art Community. If you’re wondering what the group is all about or if it’s a group you might want to join, this post will give you information on how it came to be and how you can get involved.

The group’s Facebook page says,

The Rubber Tramp Art Community (aka RTAC) is an intentional community for nomadic artists/creative travelers. We meet up to camp together along the way; creating art together, eating together, teaching each other new skills, helping each other, and just spending time together as a community.

The group is open to new members. If you’re on Facebook, joining the Rubber Tramp Art Community there is a good way to start your involvement. You have to ask the join the group, and you will  be asked to answer some questions. The intention is that members of the group will actually live nomadically and creatively. This is not just another general group for vandwellers, RVers, or other nomads and vagabonds.

If you’re at the RTR, find the Rubber Tramp Art Community and visit with members there. At this time, I don’t know where the group will be camped, but ask around. Word of mouth is a great way to find cool people and groups at the RTR.

Over the summer, I had the pleasure of interviewing Sarah Meg, one of the movers and shakers in the Rubber Tramp Art Community. We had a lot of fun talking, and the interview turned out longer than I planned. I decided to run our conversation about the Rubber Tramp Art Community as a separate post at a later date.

That later date is today!

Rubber Tramp Artist (RTA): You’re one of the founding members of the Rubber Tramp Art Community. Could you tell me what the group is, how it came about, how you got interested? I think it was pretty much your idea, from what I remember.

Sarah Meg (SM): It wasn’t really my idea to be honest. All I did was the footwork. The ideas came from the group, and I put in the effort to make it happen.

RTA: So could you tell us first what it is?

SM: The Rubber Tramp Art Community is an intentional community for creative nomads. We like to say “nomadic artists,” but a lot of people who are very creative and artistic wouldn’t consider themselves artists.  If you’re thinking about joining and you’re creative and you’re a nomad, I would love to hear from you [via Facebook] as would anyone else who’s working on membership of the club currently.

We started out at the RTR [Rubber Tramp Rendezvous] in 2018. Sue Soaring Sun started the RTArt Camp at the RTR. You were there as well.

RTA: I was there.

SM: You’re one of the founding members as well.

RTA: I was assisting Sue. Before we got together as a group, I was assisting Sue and then other people came out and contributed as well.

SM: It’s actually kind of funny. It took me an hour and 45 minutes to find Art Camp when I was first looking for you guys, so this almost didn’t happen, we almost didn’t have the Rubber Tramp Art Community because I almost gave up [laughter] trying to find you guys.

I believe there were nine of us camped [at the RTArt Camp] who were there almost every day, helping and doing artwork together and just having a ton of fun. We had a campfire one night where we burned an incredibly toxic log, got a little loopy, and started talking about how fun it was to have art camp. One of our founding members said, “Wouldn’t it be awesome if we did Art Camp all the time?” I started thinking about it. I thought, “It would be awesome if we did art camp all the time, but how would that work?” Then there was a conversation over the next couple days while we were still at the RTR about how we could make a community out of Art Camp, how could this be a traveling community.

Our first idea was that it would be a community that caravanned together and was together all the time. That quickly fell through because herding nomads is like herding cats. I did not want to do that and neither did anyone else. We within two and a half months had broken off the group into smaller groups and then went to events throughout the year. Currently what we’re doing is anyone can host an event. Nobody but me has done it so far, but you guys can. Anyone in the Rubber Tramp Art Community can host an event, and if people show up, yay, if they don’t, then, hey, you had fun in the forest or the desert or the beach by yourself.

We’ll be hosting Art Camp, of course, at the RTR, and eventually, there’s been quite a bit of talk with other members about eventually making this a nonprofit for various reasons. The first reason was actually brought up in the first month when a part of our group was camping together was that we wanted to have a fund for people [in our group] who were very low income, so we could help people out. If their rig broke down, we could help pay for repairs. We didn’t know how that could work, and then we thought about selling t-shirts to put that money into the fund. So we’re working on, I’m thinking of how we could become a nonprofit. That’s our next stage, although that might take quite a while.

 

 

spark! Mesa’s Festival of Creativity

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Nolagirl and I were going to hang out.

I have to bring my kid to Mesa, she said. She’d been thinking about checking out the free spark! event at the Mesa Arts Center. I told her that was fine with me. Nolagirl always finds the quirkiest, funkiest, grooviest, all-around-most-fun activities in the greater metro area, and I’m pretty open to trying new things. If Nolagirl likes a cultural event, I’m probably going to like it too.

I looked up spark! on the internet. The event’s website says,

This year’s Festival of Creativity will feature an exhibition of 16 art cars, multiple hot rods and lowriders, and interactive arts experiences for people of all ages. spark! celebrates the imaginative spark in all of us, by showcasing Arizona artists and performers and inviting visitors to explore and enjoy live music, aerial dance performances, hands-on experiences, live art-making, installations, demonstrations, a variety of foods, a beer, wine and cocktail area and more.

We arrived at the event around noon. The crowd consisted of a lot of families with kids, but there were plenty of adults without children out there too. I was glad to see the event wasn’t packed; we could still move around just fine and experience everything that was happening.

We entered the festival from Main Street. We could hear the music of the 1950s being performed by Come Back Buddy as we approached. The music was good, and I’m sure I was tapping my foot and swaying my hips, but it was The Night Garden by Jenneva Kayser of Tempe, AZ that really got our attention. We were fascinated by the cacti created from what the aforementioned website calls “woven recycled fabric and translucent porcelain clay.”

As we moved through the Shadow Walk between the Mesa Contemporary Arts Museum building and the Ikeda Theater, we encountered another stage where Rising Youth Theatre thespians were performing Light Rail Plays. According the theatre’s website,

Teams of youth and adult artists work together to explore the public transit experience with original plays from a youth perspective…Performers…travel between platforms to maximize the number of people who can experience performances!

We didn’t stop to watch the performance, although we did pause briefly to see the vast array of “food” that festival participants had molded and shaped. The sparks! website calls this participatory activity led by Elliott Kayser a “Community Still-Life in Clay.”

A dining room table set in the style of a classical still-life painting, complete with ceramic serviceware, [was] created prior to the event. During the festival, colorful clay [was] given out to festival-participants with a prompt: to make food that they associate with family tradition. Performers dressed as waiters…compose[d] and arrange[d] the finished “food” within the still-life.

It’s like a coloring page on a car!

A little farther down was a chalkboard car folks could decorate with colored chalk. This interactive experience was the brainchild of artist Kyllan Maney. The sparks! website says this 1981 BMW 528 was

pre-installed with chalkboard paint on the exterior and black lights in the interior. Festival goers [were] invited to color the car in a pre-planned design with chalkboard markers. Vinyl chalkboard shaped birds [were] temporarily adhered to the ground making pathways to the interactive art car, to mimic shadows [of] the birds flying overhead.

When we walked up, volunteers were cleaning off the chalk so newcomers could experience the fun of coloring on a car. We didn’t linger to do any decorating of our own.

The next cool thing we saw was the construction of an art car under the leadership of Harrod Blank, and (apparently very busy) artist Kyllan Maney. The spark! website explains the finished result will be an art car called “Desert Marlin” which was

I love the glass saguaros on this art car.

inspired by the flora and fauna of the Sonoran Desert. The exterior will be covered with cactus and succulents ranging in size and texture, created out of metal, glass and painted directly on the car. The interior, inspired by the “heart” of the Mesa Arts Center community, will be created by visitors to the festival. They will be invited to create and add a piece to the car during the event.

It was probably when Nolgirl said art car while telling me about the event that I was totally in. It had been a long time since I’d been to an art car event, but I think it’s really cool to take something as ordinary as a motor vehicle and turn it into something original and unique. Nolagirl and I spent probably the next hour looking at each of the sixteen art cars and two art cycles on display in the Arts Center parking lot.  (I’ll be sharing photos and info on my favorite art cars in upcoming blog posts.)

I had so much fun sitting in this chair!

After looking at the art cars, Nolagirl and I went off in search of a restroom. Before we found the restrooms, we found magnificent wobbly chairs. Based on Weeble Wobble technology, the chairs swayed, tipped, and rolled, but never dumped the occupant on the ground. Nolagirl and I both tired out a chair, but I think I enjoyed my experience more. Once I realized I was safe in the chair, I relaxed, leaned back, and had a good ol’ time. I would have played in the chair for the next half hour if little kids hadn’t been waiting their turn.

(I made up the part about Weeble Wobble technology. I mean, yes, there is a certain technology that allows Weebles to wobble but not fall down, but I don’t know if the chairs worked on the same principle.)

We were directed to a restroom in the Mesa Contemporary Arts Museum. I was surprised to see a proclamation of “free admission” on the door. Admission wasn’t just free on that day, but all the time! Wow! I will remember to take advantage of this free admission if I’m ever in Mesa again.

After our visit to the (very clean) restroom, we decided to spend some time with the museum’s exhibits. I was glad the museum was a manageable size. I go into art overload rather easily, so I was happy to see three rooms of current pieces and be done.

When we left the museum, Nolagirl was hungry, so she ordered some food from the Short Leash Hot Dogs truck. I found an umbrella-shaded table, and ate a LÄRABAR® while I waited. After our lunch, we thought we’d seen it all and started heading back to the car. When we got to Main Street, I asked, Is there more to see over there? so we walked over to check. Yes, there was more to see!

There were more cars over there. They weren’t art cars, but they did have bright and shiny paint jobs and they weren’t like the average cars on the street. These were hot rods and low riders representing different car clubs. I couldn’t find any information about these cards on the sparks! website. Although I’m not a huge car buff, I did enjoy the bright, shiny colors of the automobile exteriors.

We were heading to the corner when we saw a crowd gathered against the rail above the museum’s courtyard. What’s going on over there? we wondered, then saw the women sitting on the museum’s roof. Oh! It looked like we’d be able to catch the last performance of the Dark Sky Aerial  theatre company.

Photo courtesy of Nolagirl.

It was a mesmorizing performance both above and below us. (I’m confident the dancers performing on the ground were part of CaZo Dance Company, but I couldn’t find any information online to confirm this assertion.)

While six performers in white dance and tumbled in the coutyard below, five women in black used the outside walls of the museum as their vertical stage. They flew through the air, harnessed to ropes that both tethered them to the stability of the building and allowed them to soar through the air. In about a dozen minutes, the show was over. Lots of people  were still having fun at the spark! event but for me and Nolagirl, the performance of Dark Sky Aerial and CaZo Dance was a magnificent end to a fun time at the festival.

Photo of me enjoying myself in the titly chair courtesy of Nolagirl.

 

I took the photos in this post, unless otherwise noted.

 

Drawing Room

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Nolagirl and I were walking towards the Mesa Arts Center on Main Street in Mesa, AZ.

I want to go look at that rocketship thing, I told her.

Right there by the lightrail stop? she confirmed.

I explained I’d taken phots of it in 2016. but I didn’t have any information about the artist. I wanted to find the name of the piece or the name of the artist or something.

We walked across the street, and Nolagirl gazed at the art. I wouldn’t have called it a rocketship, she said, but I get it.

I suspected it wasn’t supposed to represent a rocketship, but that was the closest comparision I could come up with. The round, tapering shape suggested a 1950s concept of space travel to me.

I couldn’t find any permanent information about the art, but Mesa was having a silly event where folks could interact via text with inanimate objects downtown. This piece of art was part of the project, so I was able to find the artist’s name in a cirlce on the ground.

Nolagirl actually texted this object as I was looking for information and taking photographs. Their exchange was rather boring. We were totally over it when the sculpture asked what business we wanted to see downtown. A free box! I chimed in, but I think Nolagirl had already told the art something else.

These faces belong to real people. Those people are part of the Mesa community.

The art piece does have a name, although I couldn’t find it anywhere in the area. (I didn’t go up on the actual lightrail stop waiting area where the seats are. Maybe the name of the art is somewhere over there.) According to Ralph Helmick’s website, the piece is called Drawing Room. The website explains about the faces on the piece.

Its walls are comprised of graphic cutout silhouettes of an inclusive array of actual Mesa citizens. Each profile occupies an oval frame that connects with its neighbors, the collective creating a soaring web of community.

I think it’s really cool that the silhouettes are of actual people who live in Mesa. I wonder how the folks were recruited. I wonder if folks ever scrutinize this piece of art to find their own image or the image of a loved one.

Helmick’s website also says,

Taking the shape of a giant conic form of perforated metal, viewers recognize it as a visual beacon from blocks away and walk underneath while passing to and from the light rail.

You can definitely see this piece from blocks away. It’s a good landmark for not just the lightrail stop, but the Mesa Arts Center as well. I definitely noticed that it’s a portal. To get on the train or return to Downtown Mesa, commuters have to pass through this portal of community.

You must pass through this portal of community to catch your train.

 

The website mentions another thing I’d noticed.

Viewers looking up from beneath the sculpture may draw parallels between our interest in the expansive mysteries of the universe and our quest for civility and fellow-feeling here on earth.

Well, ok, I didn’t draw any parallels or think any deep thougths, but I did notice that it’s really cool to stand within the sculpture and look up, up, up all the way to the hole in the top. The experience is a little dizzying, but very, very cool, especially when light and shadows are playing on the metal.

The CODAworx website says

Ralph Helmick is a sculptor and public artist.

Since his first public art commission in the mid-1980’s – the Arthur Fiedler Memorial, on Boston’s Esplanade – he has worked in various materials (including metal, stained glass, cast resin, and found objects) to create large-scale public sculpture in parks, schools, museums, and other public spaces across the US.

As I did research on Drawing Room and Helmick, I was surprised to see the artist had created another sculpture I know. Helmick is also responsible for the Stevie Ray Vaughan Memorial on Town Lake in Austin, TX. I’ve visited that staute before. The muscian wears a poncho and a big hat with a brim running all the way around it. Austin folklore has it that as a tribute to Vaughan, fans leave joints on the brim of his hat. I suppose it works as a sort of “take a joint, leave a joint” gift economy, because I was told to always reach up and search for a joint. I suppose if there’s one up there, the finder smokes it in Vaughan’s name. When I visited the statue, I reached up, but didn’t find any treats on the hat.

I took the photos of Drawing Room in this post. My friend Lou took the photos of the Stevie Ray Vaughan Memorial. Thank you, Lou!

Mural Row

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Nolagirl and I were walking on Main Street in Mesa, AZ, looking for the Big Pink Chair. We approached a building at McDonald, on the south side of Main. I saw murals painted in large, shallow alcoves on the east side of the building.

I’ve never seen these before, I said.

The murals show Arizona natural landscapes and other snapshots of the state’s natural scenery.

I love the vivid sun and the way this painting seems to invite the viewer to stop right into those mountains. I don’t know who painted it.

The mural below was painted by Matlock the Artist, as we can see from the stenciled “signature” on the bottom left of the piece below. Matlocktheartist.com seems to be out of commission, but I traced the moniker to Mark Matlock, artist and owner/curator of (possibly defunt) Fragment Gallery in Tucson. The most current information I could find (2015) is that Matlock left Tucson and moved to Mesa.

This larger-than-life rendering of saguaro blossoms is my favorite of the nature scene murals. The desert is extra beautiful when the saguaros are in bloom.

I think it’s great when the artist has an element from one painting invisibly span the empty space between the two murals and pick up in the adjacent painting. I think this technique helps show the relationship between the murals and make them seem less like isolated pieces. In the pieces above and below, you can see how the artist has used this technique with the the tree branch that runs in front of the saguaro and ends up in the top right corner of the mural featuring the young woman.

Only one of these murals includes the human form, in the person of a young woman standing under the phases of the moon. Who is this woman? Who does she represent? Why is she standing under the changing moon? Those are questions I can’t answer.

I also wonder who painted this mural. I can’t see a signature anywhere. Can you?

I don’t see a signature on this mural either, but it reminds me of a small painting on the other side of Main Street, just down from the Smith-O-Lator cookie store.  Perhaps the same anonymous artist created both paintings.

The spines on these cacti look wicked!

The following mural is called Three Riders and was painted in aerosol by Kerry Niemann of Apache Junction, AZ. Niemann

studied painting, drawing, and sculpture at the University of Kansas in the early 1990’s…

Currently, [she is] most interested in drawing the people and places where [she] live[s]…in Apache Junction, including the mountains, rodeos, restaurants, cars, bull riders, spectators, actors, horses. [She] also paint[s] murals of similar subject matter.

I like the juxtaposition here of a very traditional Western scene topped by an abstract representation of the sky. I wonder if the three figures on horses are perhaps riding off into hell.

Chuck Wan signed this mural of larger-than-life birds, but I can’t find any information about him, other than his collaboration with Carlos Mendoza on a mural for sale through Phoenix Center for the Arts.

Anyone know anything about Chuck Wan?

On the other side of the building, where a wide alley bisects the block, we found more murals painted in large shallow alcoves. While the first murals we saw depict scenes of the state’s natural beauty, the second set shows aspects of mid-20th century American Southwest civilization such as advertisements on Route 66 and other highways and byways of a pre-interstate era.

 

I don’t see a signature on this depiction of the Buckhorn Baths sign.

These are all places in Arizona, Nolagirl said in awe.

She was right, according to information I found about these murals in a December 2015 article in the East Valley Tribune. More specifically, the murals depict places in Mesa. The article, “Downtown Murals Evoke Mesa Memories” says,

Murals that depict neon signs on businesses that previously operated in the city [Mesa] have been painted on the west wall of Surf and Ski building at 137 W. Main Street.

According to the East Valley Tribune, Anthony Galto re-created three vintage signs in this mural.

According to the aforementioned East Valley Tribune article, the next mural was painted by Jesse Perry. On his website, Perry says,

Using an abnormally bright color pallet to deliver my New School Pop Art Style, my work is both bold and versatile, often filled with humor and fun loving characters of the Southwest, commonly laced with hidden messages that speak to the idea of unity and community.

Jesse Perry’s website says he painted this mural with spray paint. I love the Arizona sunset sky.

Also featured in the East Valley Tribune article was this mural by Mark Matlock, aka Matlock the Artist. According to the article, only black and white photos of the sign he chose to paint were available ,

 so he had to choose colors for the mural. His desire was to make the mural look like an old post card and look like neon. He used a wash to rub over the final work…

My favorite of the neon sign murals is this one by David “Dski One” Oswoski of Mesa. I like the slightly blurry edges which gives the piece a dreamlike quality. I can imagine being a little kid in the backseat of the family Buick, eyes half closed after a long day of fun and seeing this sign beckoning me to spend the night in one of their clean, comfortable beds.

I was glad to spend some time with these murals; they really help beautify the two walls. It’s nice to have these downtown reminders of Arizona’s colorful commercial past and its fragile natural beauty.

Mural on the Mesa Contemporary Arts Museum

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In the spring of 2016, I lived briefly in Mesa, Arizona while working nearby. One afternoon after my money job was over for the day, I went downtown to explore the public art. I saw art depicting a Big Pink Chair, a girl reading a book, and a toddler feeding ducks. I really appreciate public art and the way it levels the playing field by allowing everyone from all socio-economic levels to experience and enjoy what others have created.

As I passed the Mesa Arts Center, I saw a huge mural on the wall of the Center’s Mesa Contemporary Arts Museum. I didn’t realize at the time that the mural was brand spanking new.

When I did some research on the mural, I got a lot of information about it from a Phoenix New Times article by Lynn Trimble called “El Mac on His New Two-Story Mural at Mesa Arts Center, Inspiration, and Collaboration.”

  • The mural was painted by El Mac, “one of the world’s most noted street artists” who has ties to the Phoenix area but now lives in LA.
  • The woman depicted in the mural is an old friend of the artist.
  • “The mural was done completely with aerosol enamel paint, and a specific type of cap that helps give his work its characteristic pattern of circles and lines” and was completed in March of 2016.

I love the gentle beauty of this mural and the way the color of the rose pops against the dark contours of the woman’s features. I love seeing a woman of color (the model is originally from Guatamala) looming larger-than-life over museum patrons. It’s a lovely piece, and I think it adds some street cred to a part of town which could easily be mistaken to be primarily for white folks.

I took the photos in this post.

 

Random Art in Downtown Mesa, AZ

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Our day in Mesa started at Lost Dutchman Cafe (12 N. Center Street ) where we met a friend of mine who was living in the area. As we left the coffeeshop, Nolagirl spotted two brightly decorated electrical boxes. You know it’s a pretty cool part of town when even the utility hardware is turned into works of art.

I’d been on a self-guided art tour of downtown Mesa in the spring of 2016, and now Nolagirl and I were walking around on Main Street in March of 2018. We’d just left the Sparks! event at the Arts Center, and we were looking for the Big Pink Chair. I love the Big Pink Chair, and I was hoping Nolagirl could take some photos of me sitting in it. During our walk up and down (or was that down and up?) Main Street, we saw several pieces of public art, some I’d seen in 2016 and some brand new.

As we headed to the Arts Center early in the day,  I noticed this Mesa mural painted in the style of an old-school postcard. I particularly like the saguaro and mountain scene painted in the “M.” This mural is across the street from Milano Music Center, and I took some photos while I was standing in front of the music store, but they didn’t look so good. I took this photo in the afternoon when I ened up right in front of the mural.

The artist is Ericka Jaynes, and you can find her on Facebook.

Down the street, we saw another mural I’d admired inthe past. This one is called Mesa Mural.

The way the sun hits it on spring afternoons makes it very difficult to photograph because the lighting is uneven. If I were a better photographer, I’d probably know how to even out the shadows and light. Nolagirl and I decided the best time to capture the mural is probably in the morning, during the golden hour, before the sun and surrounding buildings work together to cast shadows on it.

I’ll go ahead and share my 2016 photo of the mural, even though it’s not perfect.

According to the Waymarking website, the mural is located at 63 W Main Street and the artist is Lauren Lee. Lee’s website says,

This mural was completed in August 2015, commissioned by the City of Mesa and Downtown Mesa Association.

That Sunday afternoon was a good day for murals. Near where Downtown Mesa’s Permanent Sculpture Collection ends, we saw this mural decorating the side of a building. (The mural actually wraps around to the front too.)

I like the wavy, funhouse mirror quality of the scene. Is the fantasy building going to fall down? Will it quiver but continue to stand? Did the building do psychedelics or is it the viewer who’s chemically altered? Maybe the artist was on drugs or maybe the idea for this building came from a fever vision. In any case, I think it’s a fun mural.

An October 2012 article in the East Valley Tribune answers many questions about the mural. The building it graces was once the Eclectic Monkey Emporium, a second-hand clothing store. No drugs were involved in the idea for the mural; the building in the painting is supposed to be melting, as in from the heat. The artists who created this hot but cool mural are R.E. Wall and Margaret Dewar.

Outside the Smith-O-Lator cookie shop (124 West Main Street), two pieces of art decorate two columns in front of the store.

The first was created by public participation during an art event in downtown Mesa. Used 16 oz. plastic water bottles were cut open, painted, then attached close together to look like a patch of flowers growing out of the building. I love the texture (how cool that old plastic bottles can look fluffy!), and I was impressed by how well the color has held up to the Arizona sun and heat.

Next to the installation of water bottle flowers is a painting of a mermaid, or more accurately, half a mermaid.  She is delightful, although I don’t know who painted her or under what circumstances. (When I enlarge the photo, I can see see what appears to be the remnants of letters on the bottom of the painting, but they’re too faint for me to read them.) How does she fit into the landscape of downtown Mesa? Maybe the artist longed for the sea while being stuck in the desert.

Not far down the sidewalk is a painted scene that is a better fit for a desert town. I love that big saguaro reaching up to the cloudy sky and the purple mountains in the background. I also love the sense of anticipation I get from this piece. Is there a storm brewing? Will there be rain?

I can’t tell if the names in the white paint on the bottom right of the piece is the artist’s signature or ramdom tagging. Can anyone solve the mystery of who created this bit of urban art?

The last piece of art I saw as we continued walking on Main Street was an old favorite. I’d first seen it in 2016, which is when I took this photo.

 

The creator of this piece is Kyllan Maney. Her artist statement says

[t]he visual foundation of Kyllan’s work is rooted in scientific illustrations, religious icons, human relationships and inspiration from past and current artists.

I love that the dove is also a map of Mesa. “YOU ARE HERE” the map says, in a place of love and peace. Mesa can be a place of drugs and crime, heat and desperation, but in this piece Maney reminds us that art can be a kind of sanctuary.

I took all the photos in this post.

Scrap Book Boy

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Scrap Book Boy by Tom Bollinger,

When I first saw the Scrap Book Boy sculpture on Main Street (between Robson and Macdonald streets) in the Mesa, AZ permanent downtown collection, I thought it was a companion piece to Booked for the Day. In the former piece, a young boy rests on his stomach looking at a big book, while in the later piece a girl sits on a bench reading. I wondered if they were by the same artist. A little research showed me the two sculptures are not related except by proximity.

Dan Hill created Booked for the Day, and the creator of Scrap Book

Booked for the Day by Dan Hill

Boy is Tom Bollinger. Also, Scrap Book Boy seems to be a one of a kind piece, while different versions of Booked for the Day are on display in more than half a dozen cities.

Tom Bollinger’s biography calls him

a visual artist, living and working near Phoenix, Arizona. Born in North Dakota. Bollinger is a self-described “Sculptor”. He is inspired by his observations and life experiences and inspired by what he describes as the “hoped for..” in humanity. Bollinger seeks, by way of his exploration, to discover what is beneath the surface of what we are and what we see.

I was unable to find much information about Scrap Book Boy online. Bollinger’s list of Commissions and Placement referes to it as

Boy with Book, cast bronze, life size figure, Public Art Program, Mesa, AZ.

However, the plaque on the ground next to the young boy looking at the book uses the name Scrap Book Boy and tells a sad story of the loss of Bollinger’s younger brother.

Upon closer inspection of the book, you really can see the pictures etched from the original scrapbook owned by the senior Bollinger.

So while this piece of art commemorates the sad loss of a child, it also incorporates a cool technique that lets the viewer share in parts of the family history.

To learn more about public art in Mesa, view the brochure that goes along with the self-guided tour of the city’s sculpture collection. You can also read other posts I’ve written about public art in Mesa like the Big Pink Chair, the Mesa Pioneer Monument, Quackers, and Humpty Dumpty.

I took all the photos in this post.

Animal Collages

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The Crafter's Complete Guide to Collage
My friend sent me a copy of The Crafter’s Complete Guide to Collage by Amanda Pearce. I felt like I’ve already mastered many of the techniques included in the book, such as the use of found objects and basic composition. However, I was fascinated by the chapter on paper collage, especially the section dealing with the grain of papers, mixing textures, and ripping versus cutting edges. The chapter made me think in new ways about using paper.

Then I was in a thrift store and found a stack of those wildlife cards marketed to kids on the 1970s and 80s. I was rummaging through them, considering the collage posibilities when I saw a naked mole rat! A naked mole rat! The Lady of the House had recently told me the naked mole rat is the favorite animal of The Man of the House becasue the critter seems to have to ability to live forever–or at least they don’t appear to “go through the gradual (and eventually rapid) process of self-destruction that we think of as aging.” The odds of finding a good photo of a naked mole rat in a thrift store seemed slim, and I felt like maybe the universe was prompting me to create some art for The Man of the House.

Will you humor me while I talk about my process?

Of course, first I cut out the photo of the naked mole rat. Then I went through my papers and found some colors I thought would go together nicely. I tore the edges of the papers for added visual interest, then glued the papers onto a piece of canvas panal board I’d picked up at a different thrift shop. I glued the photo of the rodent onto a button then glued the button onto the board to lift the photo slightly off the surface.

The words in the talk bubble are in reference to the lyrics to the song “Fame” (from the movie Fame). In the song, lyricist Irene Cara writes, “(Fame) I’m gonna live forever.” I thought it would be funny if a creature that doesn’t age (in the way most of the world understands aging)  was singing about living forever.

The stars were the last addition to the piece, necessary, I thought to perk it up and pull all of the elements together. I knew The Man of the House wouldn’t like glitter, but maybe shiny stars weren’t going too far.

After I finished this gift for The Man of the House, I wanted to make something for the Lady of the House too. She is a big fan of the blue-footed booby, and I just so happened to have a photo of two of them I’d cut out from a magazine some time ago.

Again, I tore the edges of the papers and glued them to the canvas board. I cut as close as possible around the edges of the birds, then glued them down next. Blue stars added a little bit of dazzle, as did the sparkly blue squares on the bottom corners. The blue “sun” is a button, and I glued a light blue bit of bling to a white heart. Of course, the little song the birds are singing to each other is a takeoff of the old standard “Tea for Two.”

By the time you read this post, The Man and Lady of the House will have received these gifts. I hope they go over well.