Tag Archives: Main Street

Mural Row

Standard

Nolagirl and I were walking on Main Street in Mesa, AZ, looking for the Big Pink Chair. We approached a building at McDonald, on the south side of Main. I saw murals painted in large, shallow alcoves on the east side of the building.

I’ve never seen these before, I said.

The murals show Arizona natural landscapes and other snapshots of the state’s natural scenery.

I love the vivid sun and the way this painting seems to invite the viewer to stop right into those mountains. I don’t know who painted it.

The mural below was painted by Matlock the Artist, as we can see from the stenciled “signature” on the bottom left of the piece below. Matlocktheartist.com seems to be out of commission, but I traced the moniker to Mark Matlock, artist and owner/curator of (possibly defunt) Fragment Gallery in Tucson. The most current information I could find (2015) is that Matlock left Tucson and moved to Mesa.

This larger-than-life rendering of saguaro blossoms is my favorite of the nature scene murals. The desert is extra beautiful when the saguaros are in bloom.

I think it’s great when the artist has an element from one painting invisibly span the empty space between the two murals and pick up in the adjacent painting. I think this technique helps show the relationship between the murals and make them seem less like isolated pieces. In the pieces above and below, you can see how the artist has used this technique with the the tree branch that runs in front of the saguaro and ends up in the top right corner of the mural featuring the young woman.

Only one of these murals includes the human form, in the person of a young woman standing under the phases of the moon. Who is this woman? Who does she represent? Why is she standing under the changing moon? Those are questions I can’t answer.

I also wonder who painted this mural. I can’t see a signature anywhere. Can you?

I don’t see a signature on this mural either, but it reminds me of a small painting on the other side of Main Street, just down from the Smith-O-Lator cookie store.  Perhaps the same anonymous artist created both paintings.

The spines on these cacti look wicked!

The following mural is called Three Riders and was painted in aerosol by Kerry Niemann of Apache Junction, AZ. Niemann

studied painting, drawing, and sculpture at the University of Kansas in the early 1990’s…

Currently, [she is] most interested in drawing the people and places where [she] live[s]…in Apache Junction, including the mountains, rodeos, restaurants, cars, bull riders, spectators, actors, horses. [She] also paint[s] murals of similar subject matter.

I like the juxtaposition here of a very traditional Western scene topped by an abstract representation of the sky. I wonder if the three figures on horses are perhaps riding off into hell.

Chuck Wan signed this mural of larger-than-life birds, but I can’t find any information about him, other than his collaboration with Carlos Mendoza on a mural for sale through Phoenix Center for the Arts.

Anyone know anything about Chuck Wan?

On the other side of the building, where a wide alley bisects the block, we found more murals painted in large shallow alcoves. While the first murals we saw depict scenes of the state’s natural beauty, the second set shows aspects of mid-20th century American Southwest civilization such as advertisements on Route 66 and other highways and byways of a pre-interstate era.

 

I don’t see a signature on this depiction of the Buckhorn Baths sign.

These are all places in Arizona, Nolagirl said in awe.

She was right, according to information I found about these murals in a December 2015 article in the East Valley Tribune. More specifically, the murals depict places in Mesa. The article, “Downtown Murals Evoke Mesa Memories” says,

Murals that depict neon signs on businesses that previously operated in the city [Mesa] have been painted on the west wall of Surf and Ski building at 137 W. Main Street.

According to the East Valley Tribune, Anthony Galto re-created three vintage signs in this mural.

According to the aforementioned East Valley Tribune article, the next mural was painted by Jesse Perry. On his website, Perry says,

Using an abnormally bright color pallet to deliver my New School Pop Art Style, my work is both bold and versatile, often filled with humor and fun loving characters of the Southwest, commonly laced with hidden messages that speak to the idea of unity and community.

Jesse Perry’s website says he painted this mural with spray paint. I love the Arizona sunset sky.

Also featured in the East Valley Tribune article was this mural by Mark Matlock, aka Matlock the Artist. According to the article, only black and white photos of the sign he chose to paint were available ,

 so he had to choose colors for the mural. His desire was to make the mural look like an old post card and look like neon. He used a wash to rub over the final work…

My favorite of the neon sign murals is this one by David “Dski One” Oswoski of Mesa. I like the slightly blurry edges which gives the piece a dreamlike quality. I can imagine being a little kid in the backseat of the family Buick, eyes half closed after a long day of fun and seeing this sign beckoning me to spend the night in one of their clean, comfortable beds.

I was glad to spend some time with these murals; they really help beautify the two walls. It’s nice to have these downtown reminders of Arizona’s colorful commercial past and its fragile natural beauty.

Motels of Mesa

Standard
The Hiway Host Motel sign on Main Street in Mesa, AZ.

The Hiway Host Motel sign on Main Street in Mesa, AZ.

On a multi-block strip of Main Street in Mesa, Arizona, one can find several old motels. The rates are cheap (especially for folks who go the weekly or monthly route) and the living can be rough. Yes, it’s a part of the city I wouldn’t care to walk in alone after dark (although I have before). Many of the folks walking around the area seem to dabble in (or perhaps concentrate on) methamphetamine, which leads me to refer to the neighborhood places of lodging as “meth motels.”

img_5963As is often the case, it wasn’t always this way. Main Street in Mesa was once part of U.S. Route 80. According to a vintage postcard website,

U. S. Highway 80 was one of the original Federal Highways commissioned in 1926 along with some of its more famous newly numbered cousins such as U. S. 66 – “The Mother Road”, U. S. 30 – “The Lincoln Highway”, and U. S. 40 – “The National Highway…”

[I]t was probably more important [than the other, more famous, named highways mentioned above] because it was an all-weather, all-year route that was dependable to transcontinental travelers.

Wikipedia says,

U.S. Route 80 (US 80) also known as the Ocean-to-Ocean Highway was a major transcontinental highway which existed in the U.S. state of Arizona from November 11, 1926 to October 6, 1989.[2][4] At its peak, US 80 traveled from the California border in Yuma to the New Mexico state line near Lordsburg...[5]

Low weekly rates appeal to the modern clientele on Mesa's Main Street.

Low weekly rates and kitchenettes at the Trava-Leers Motel probably appeal to the modern clientele on Mesa’s Main Street.

US 80 was a particularly long highway, reaching almost 500 miles (800 km) long within the state of Arizona alone.[7] With the advent of the Interstate Highway System, Interstate 10 and Interstate 8 both replaced US 80 within the state.[8] US 80 was removed from Arizona in 1989; the remainder of it now being State Route 80.[5]

The folks who named this hotel didn't know--or didn't care--that kivas are used religiously and people from the Pueblo tribes don't wear feather headdresses.

The folks who named this hotel and designed the sign didn’t know–or didn’t care–that kivas are used religiously and people from the Pueblo tribes don’t wear feather headdresses.

 

In a 2012 article about preservation of the neon history on Main Street in Mesa, president of the Mesa Preservation Foundation Victor Linoff said,

I think "refrigerated" meant "air conditioned."

I think “refrigerated” meant “air conditioned.”

From quite a distance, you’re traveling in your car, you’re tired, you want to stop for the night or get something to eat. These signs pulled you in. They were like beacons in the night.

In the aforementioned article, Demion Clinco, president of the Tucson Historic Preservation Foundation, said of neon signs,

They are emblematic of the classic automobile age in America, [t]hat mid-century modern highway culture that just doesn’t exist anymore.

Not all of the old motels on Main Street have neon signs. Maybe some of them never had neon and simply relied on their competitors’ signs to draw enough people into the general area. There were probably enough drivers passing through to ensure every business got a piece of the pie.  Some neon signs have been lost to the ravages of time. At least a couple of the motels lacking cool signs still boast cool architecture.

This photo shows a view of the Citrus Inn. There are parking spots for cars between the rooms.

This photo shows a view of the Citrus Inn. There are parking spots for cars between the rooms. The Citrus Inn has a really boring, modern sign, but its architecture is old-fashioned cool.

I particularly like the motels with parking spaces between the rooms. The Citrus Inn is designed this way. The open space between the two rooms is big enough for two cars. A covered parking area is a huge luxury for anyone whose car would otherwise be pounded by the Arizona summer sun.

I think this photo shows the Kiva Lodge, but I'm not positive. In any case, it's another example a motel with covered parking next to the rooms. I also like the turquoise accents and the red Spanish tile on the awning.

I think this photo shows the Kiva Lodge, but I’m not positive. In any case, it’s another example a motel with covered parking next to the rooms. I also like the turquoise accents and the red Spanish tile on the awning.

The motels of Mesa and their signs are part of Arizona history and U.S. history too. They are relics of a time before motel chains, when each motel on the road was part of a unique travel experience.

I took all of the photos in this post.

 

Play Me, I’m Yours (Part 1)

Standard

img_5798

In the spring of 2016, I was exploring the public art on Main Street in Mesa, Arizona. One of the coolest things I saw was a Pepto-Bismol pink piano labeled “Play Me, I’m Yours.” What was this about? I had no idea, but loved the presence of a piano out on the street available for anyone to play. As I walked further east on Main Street, I encountered two more street pianos. Very interesting, I thought. I figured the pianos were part of downtown Mesa’s permanent sculpture collection and didn’t think much more about them until I sat down to write this post.

img_5797

Front view of piano #6

According to the Street Pianos website,

Touring internationally since 2008, Play Me, I’m Yours is an artwork by British artist Luke Jerram. Reaching over 10 million people worldwide – more than 1,500 street pianos have already been installed in over 50 cities across the globe, from London to New York, bearing the simple instruction Play Me, I’m Yours.

Located on streets, in public parks, markets and train stations the pianos are temporarily available for everyone to play and enjoy. Play Me, I’m Yours invites the public to engage with, activate and take ownership of their urban environment. Decorated by local artists and community groups, the pianos create a place of exchange and an opportunity for people to connect.

img_5799

Back view of piano #6

It’s really cool to find out the pianos I encountered are part of a global phenomenon. But wait, it gets better!

The page of the Street Pianos website dedicated to Mesa  says,

Mesa Arts Center presented Play Me, I’m Yours, from March 1 until April 9 2016, as part of the celebrations of a major milestone: 10 years at their beautiful location in Downtown Mesa, AZ.  24 playable and artistically enhanced pianos were featured, in Downtown Mesa and at other satellite locations throughout the city.

What? Those pianos were there for a limited time only, and I got to see them? How cool is that? (Very cool, I think.)

I’m going to do three blog posts about the three Play Me, I’m Yours piano I encountered in Mesa.

Today I am writing about piano #6, which was located on Main Street, east of MacDonald. According to the Street Pianos website (where you can also view videos of people playing this piano),i t was decorated by artist: Kyllan Maney  and students of the New School For The Arts and was donated by Myrna Horton.

img_5809

Left side view of piano #6

According to Kyllan Maney’s website, she

works with aspects of nature that reminds her of the feelings of tranquility, discovery, spirituality and awe that exist when looking at plants and objects closely.  The visual foundation of Kyllan’s work is rooted in scientific illustrations, religious icons, human relationships and inspiration from past and current artists. Kyllan enjoys the inventive, creative process of working with mixed media, oil painting and large scale murals.

There’s so much I like about this piano. I think its bright, eye-catching color is grand. I like the individual portraits decorating it. As I said before, I think it is so cool to see pianos out and about, available for anyone to play.

Unfortunately, I don’t know how to play the piano. Music lessons were not something my parents

Right side view of piano #6

Right side view of piano #6

could afford when I was a kid, and by the time I took a piano class in high school, it was too late. I realized I basically have no musical talent, and it was going to take way more effort than I was willing to exert to learn to play the piano (or anything else).

That evening in Mesa, I was sad I couldn’t sit down and coax a song from this instrument, but I was glad to know it was out there waiting for someone more talented than I .

I took all the photos in this post.
To read more about public art in Mesa, go here: http://www.rubbertrampartist.com/2016/10/07/the-big-pink-chair/, here: http://www.rubbertrampartist.com/2016/10/15/booked-for-the-day/, and here: http://www.rubbertrampartist.com/2016/11/14/quackers/.
Detail from piano #6 for all my Bowie homies.

Detail from piano #6

Booked for the Day

Standard

I recently wrote about the public art on Main Street in Mesa, AZ and mentioned my favorite sculpture there, The Big Pink Chair.

Another piece in Mesa’s outdoor art collection that I like a lot is Booked for the Day by Dan Hill.

img_5780

The statue is made from bronze, and is 42″h x 16″w x 30″d. It has a copyright of 2000.

Of course, I like the fact that the girl is reading. I love reading and books, so I was tickled to see two of my passions depicted in art. I also like the fact that the sculpture is sitting on a bench, out in public, just like a real person. It’s fun to sit next to this depiction of a young reader or stand behind her and look at the pages of the book over her shoulder. Oh, the possibilities for photo opportunities for anyone visiting Mesa’s Main Street with friends! img_5783

Dan Hill’s website says,

        A good book is hard to put down and this girl won’t be putting her book down anytime soon. Ten-year old Erica, engrossed in Harry Potter, was the inspiration for this interactive sculpture. This sculpture is in the permanent public collections of the City of Mesa, Arizona; the Carnegie-Evans Public Library, Albia, Iowa; the Palos Heights Public Library, Palos Heights, Illinois; the Eccles Community Art Center, Ogden, Utah; City of Ankeny, Iowa; Cleary University, Ann Arbor, Michigan; Main Street Garden, Twin Falls, Idaho; the Prescott Public Library, Prescott, Arizona; and the Ligonier Public Library, Ligonier, Indiana. 

According to the aforementioned website,

[Dan Hill’s] talent for s[c]ulpting emerged accidentally in 1974 when he was lounging around at home recuperating from a work related foot injury.  While watching an old western on television, he began messing around img_5781with a toothpick and some playdough [sic]…By the time the movie had ended [Hill] had sculpted a small bust, capturing a remarkable likeness of actor Lee Marvin.  These humble beginnings as a sculptor were followed by the early success of two sports action sculpture commissions and a first place ribbon in the Professional Sculpture Division at the Utah State Fair.

Booked for the Day is located on the south side of Main Street, between Robson Street and MacDonald Street.

To learn more about public art in Mesa, view the brochure that goes along with the self-guided tour of the city’s sculpture collection.

img_5784

I took all of the photos in this post.